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    <p>Of all the Land Across interpretations I have read so far, this
      is the most immediately useful. Handy, even.<br>
    </p>
    <div class="moz-cite-prefix">On 1/28/2020 7:57 AM, Norwood,
      Frederick Hudson wrote:<br>
    </div>
    <blockquote type="cite"
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        <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D">Other
            Heinlein parallels/satires in The Land Across: Grafton is
            Heinlein’s classic “man who learns better” turned inside
            out. What Grafton learns is what Heinlein “learned” in his
            long career. Heinlein, like Grafton, starts out as a
            liberal, (who like Heinlein, loves travel) and “learns” to
            love a military dictatorship, with a mysterious Hitler-like
            dictator serving as Heinlein’s “grand old man”.<br>
            <br>
            Rick Norwood<o:p></o:p></span></p>
        <p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D"><o:p> </o:p></span></p>
        <p class="MsoNormal"><b><span
              style="font-size:11.0pt;font-family:"Calibri",sans-serif">From:</span></b><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif">
            Urth [<a class="moz-txt-link-freetext" href="mailto:urth-bounces@lists.urth.net">mailto:urth-bounces@lists.urth.net</a>]
            <b>On Behalf Of </b>Stephen Hoy<br>
            <b>Sent:</b> Monday, January 27, 2020 4:47 PM<br>
            <b>To:</b> The Urth Mailing List <a class="moz-txt-link-rfc2396E" href="mailto:urth@lists.urth.net"><urth@lists.urth.net></a><br>
            <b>Subject:</b> Re: (urth) [EXTERNAL] Re: Heinlein's
            Universe and The Long Sun<o:p></o:p></span></p>
        <p class="MsoNormal"><o:p> </o:p></p>
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            <p class="MsoNormal">Appreciating the Heinlein connections
              noted by Gem and Gerry; a reminder that RAH is still
              relevant in the 21st century, as Christopher Nuttall might
              put it.<o:p></o:p></p>
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            <p class="MsoNormal"><o:p> </o:p></p>
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            <p class="MsoNormal">The interesting bit about the<span
                style="font-size:11.0pt;font-family:"Calibri",sans-serif"> conveyor
                belt roads of Heinlein's The Roads Must Roll is that it
                has a precedent, and a much better fit with TLA, in
                H.G.Wells' When the Sleeper Awakens (1899). Wells' title
                recalls a noticeable sentence in TLA Chapter One "Now it
                seems to me that I must have been asleep a long time
                before I got into bed" followed by several "awakenings"
                throughout TLA.</span><o:p></o:p></p>
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            <p class="MsoNormal"><o:p> </o:p></p>
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            <p class="MsoNormal"><span
                style="font-size:11.0pt;font-family:"Calibri",sans-serif">Note
                that Wells and Wolfe each relate the struggle of a
                potential ruler of a dystopian society who gets caught
                up in a struggle between opposing factions. I don't
                think the parallels go much beyond this. It's a lot like
                Wolfe's choice of Baskin-Robbins as an allusion to
                Andromeda (Messier-31 Flavors) in An Evil Guest, or the
                allusion to Boris Badenov in a conversation at a cafe in
                TLA, "I don't trust that conductor. Why is he so short?"
                to draw attention to Papa Zenon's lack of stature.</span><o:p></o:p></p>
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            <p class="MsoNormal"><o:p> </o:p></p>
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            <p class="MsoNormal"><span
                style="font-size:11.0pt;font-family:"Calibri",sans-serif">Aramini's
                Black-Red-White trichotomy helps us think about a lot of
                TLA's mysteries, although I suspect there is a lot of
                cloning going on along with the imprinting of
                personalities. Imprinting is found in Home Fires, TLA, A
                Borrowed Man. There's cloning/imprinting of some sort in
                A Borrowed Man, and I think something similar is
                happening in The Land Across. </span><o:p></o:p></p>
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            <p class="MsoNormal"><o:p> </o:p></p>
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          <div>
            <p class="MsoNormal">- Stephen <o:p></o:p></p>
          </div>
          <p class="MsoNormal"><o:p> </o:p></p>
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            <div>
              <p class="MsoNormal">On Mon, Jan 27, 2020 at 10:21 AM
                Norwood, Frederick Hudson <<a
                  href="mailto:NORWOODR@mail.etsu.edu" target="_blank"
                  moz-do-not-send="true">NORWOODR@mail.etsu.edu</a>>
                wrote:<o:p></o:p></p>
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                  <p class="MsoNormal"
                    style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D">Another
                      Wolfe novel, The Land Across, is, I think strongly
                      influenced by Heinlein, and essentially a satire
                      of Heinlein. This is just my opinion, I’ve never
                      heard anyone else say this. But the Rolling Roads
                      early in the novel, which play no other part in
                      the plot, I take as a hint.</span><o:p></o:p></p>
                  <p class="MsoNormal"
                    style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D"> </span><o:p></o:p></p>
                  <p class="MsoNormal"
                    style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D">Best,</span><o:p></o:p></p>
                  <p class="MsoNormal"
                    style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
style="font-size:11.0pt;font-family:"Calibri",sans-serif;color:#1F497D">Rick</span><o:p></o:p></p>
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