There is a very matrix feel to Forlesen after the fact but nobody wakes up from this nightmare. Especially with the black and orange machines eating the buildings at the end of the day. <div><br></div><div>Forlesen is the one work of Wolfe I am almost willing to consign to postmodern irresolvability. I have thought about it for literally months and any uniform theory that makes sense of the oil and the changing reflection in the glasses and mirrors and the changing signs and the judeo-Christian names and the buildings being consumed and the "good engine" in his coffin never really gel and I am left with ... The idea of a corporate Hell/limbo. But it seems like something should explain why the rule book for bet your life is Forlesen's life story with minor changes. </div><div><br></div><div>Hour of trust and forlesen were the hardest to do of all the write ups- they are both kind of anti- establishment for Wolfe. My free live free write up listing every difference in the two novel edition texts was much easier than wrestling with these little pieces that never seem to add up to much at all outside of the theme in forlesen.<br><br>On Sunday, September 14, 2014, Gerry Quinn <<a href="mailto:gerry@bindweed.com">gerry@bindweed.com</a>> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">
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<div>On 14/09/2014 19:10, Marc Aramini
wrote:<br>
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<div dir="ltr"> The blue book is titled <i>How to
Drive</i>. The rules include never picking up hitchhikers,
waving,
shouting, or invading the privacy of other drivers. He looks out
the
window and sees a bald man with a gold tooth and a mole looking
at
him from the window of a nearby house, and wonders that the man
is
not him at any age, because he feels it should be. Edna accuses
him
of reading the red book when he voices this sentiment.
<p> The red book’s cover shows people
surrounding a winged being. The left side is printed in
scarlet in a
language he doesn’t understand, though he does not believe the
translations match up very well. The black print describes the
twelve natures of Death and the Dead:<br>
</p>
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<br>
Looks like the red pill and blue pill of the Matrix, about twenty
five years early, only in book form! [Anyway, the form should be
irrelevant.]<br>
<br>
I did a cursory internet check and found no precursors for a
red/blue = reality/dream trope (except an unconvincing red-only pill
from a 1990 film). Probably just coincidence, but it struck me when
I read Marc's post. Of course the red and blue pills are someging
of a meme now.<br>
<br>
- Gerry Quinn<br>
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