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<DIV style="font-color: black"><B>From:</B> <A title=starwaterstrain@gmail.com
href="mailto:starwaterstrain@gmail.com">Nick Lee</A> </DIV></DIV></DIV></DIV>
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style="FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: none"><PRE style="BACKGROUND-COLOR: rgb(255,255,255); WHITE-SPACE: pre-wrap"><SPAN style="WHITE-SPACE: normal"><FONT class=Apple-style-span face="arial, helvetica, sans-serif">Gerry Quinn:</FONT></SPAN></PRE>
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class=gmail_quote><FONT class=Apple-style-span
face="arial, helvetica, sans-serif">I guess it’s interesting that the argument
is tending in a similar direction to some of those regarding Wolfe, that is to
say I am as usual on the side of pooh-poohing interpretations based on
classical associations and concentrate instead on images and metaphors
inherent in the text.</FONT></BLOCKQUOTE><PRE style="BACKGROUND-COLOR: rgb(255,255,255); WHITE-SPACE: pre-wrap">> <FONT class=Apple-style-span face="arial, helvetica, sans-serif">Are you saying you're a New Critic?</FONT></PRE>
<P><Shrug> Maybe I am. I’m not following any particular school, just
using the interpretive methods that seem right to me in the context of
understanding Wolfe.
<P>- Gerry Quinn
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