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<DIV style="font-color: black"><B>From:</B> <A title=cnbrewer@yahoo.com
href="mailto:cnbrewer@yahoo.com">Craig Brewer</A> </DIV>
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I'll stop lurking for a moment to say that these two statements get my vote for
the most important point of > this thread.<BR><BR>> António Pedro Marques
<entonio@gmail.com> wrote:<BR><BR>> > Andrew Mason wrote (23-10-2011
20:01):<BR>> >> I think that the visible stories often have real depth,
which theories<BR>> >> of hidden meaning sometimes detract
from.<BR>><BR>> >This is a crucial point, in my view. Let me repeat it:
the visible stories<BR>> >have real depth.</DIV></DIV>
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style="FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: none">That’s
kind of where I’m coming from too, in fact it crystallises what I feel is so
wrong about “boatman as Inire” theories: what do they do to Dorcas?</DIV></DIV>
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style="FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: none">Ryan
makes the valid point that “Severian is a puppet” is a possible reading.
But is it an interesting reading, especially if it makes everybody a puppet, not
just Severian? Would Wolfe want to write about a load of puppets?
Maybe (he wrote War Beneath The Tree), but I have a feeling that even if he did,
he’d have written at shorter length. And in that story Bear fought his
fate even though he could not prevail.</DIV></DIV>
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Gerry Quinn</DIV></DIV>
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