(urth) Short Story 26: The HORARS of War

[Jerry Friedman]

> From: Marc Aramini <marcaramini at yahoo.com>

>The HORARS of War 

>SUMMARY:  Future wars at the enlisted level are fought by the grunt like HORARS instead of normal men.

In the American army but not the Enemy's.

> 2909, 2910, and 2911 are out on patrol under their commander, 2900.  2910 seems similar but slightly different than the others, making jokes, minding the cold, and being bothered by things . HORAR stands for Homolog Organisms (Army Replacement Simulations).

Not very convincing.

> As they are under attack and flares die out, there are various humorous comments from the synthetic Horars, which include jokes  such as “should have transferred to the marines” – indicating that they have been programmed with the ability to make jokes, and perhaps have other very human characteristics.  Their commander is concerned with the large Pinnochio unit when they are under fire. 
>The enemy unit fires down propaganda meant to make the human officers disgusted by sharing their camp with HORARS, but there are so few humans it is completely ineffective.  Lt. Kyle decides to send out 2900’s platoon with the Pinocchio unit. 2910 somewhat resents the order and thinks to himself that he is as human as Lt. Kyle, then thinks that a fire fight should round things out so that he can leave.  He thinks of the journalist Thomas who visits every two weeks in a helicopter to ostensibly interview the commanders of the camp, but spends private time with 2910, who gives him his notes. 2910 believes there is a letter that will give him permission to be detached from the regiment under Thomas’ orders, to be used when he requested it, and he had almost requested it on their last meeting 
>On patrol with Pinocchio 2910 comes across an old bleached skull and thinks about how even HORARS could disobey this dead man, the Enemy.  They are attacked and his thigh is torn open – the base is also attacked since the enemy has been waiting for the Pinocchio to leave.  2900 seems to display some compassion and puts 2910 on the Pinocchio unit as they return to the CP base, where Lt. Kyle has been killed.  2910 lays down and does not want the scientist Brennen to look at him.
...

Brenner (meaning "burner"--I suppose a charcoal burner or some such.).

>The press releases a final statement claiming “The airborn relief force, which arrived too late to save the camp at which he had resigned his humanity to work and fight, reports that he apparently died assisting the assigned SBS specialist in caring for the creatures whose lot he had, as nearly as a human can, made his own.  Both he and the specialist were bayonetted when the camp was overrun.”  This does not match the details of Brennen’s death, and seems to be somewhat fabricated.

It seems to match fine--whoever came to the camp assumed Brenner's throat had been cut by an enemy bayonet.

It also seems like a very strong indication that 2910 is human.  If not, I suppose you could say the newspaper is in on the hoax.

>COMMENTARY:  
...

>Is 2910 separate from the correspondent “Thomas”,

I don't see any reason to doubt it.

> and is he a man pretending to be a machine or a machine who thinks he is a man?

That one there's more doubt about.

> In this case, there is a metaphor for both the dehumanization of war and the ultimate bonds of comrades that exist beneath the violence and despair they must face.  In a world where Vietnam had lingered on and on,

Or another war was being fought in another jungle.

> this story definitely confronts the power of war to destroy what a man is, but also gives him the chance to be more human at times by displaying valor, heart, courage, and loving his comrades.  In light of that contradictory theme, it might be a bit impossible to actually say with 100% certainty that 2910 was a human.  The weight of evidence does point to him being a HORAR who believes he is a human. 
>At its ultimate level, the actual truth may not be important, because conflict and struggle will inevitably dehumanize some people and bring out the best in others – the idea of a just conflict, while perhaps not necessarily tied to religion, is certainly something that Wolfe must have struggled with in his life – the conflicting mandates to love one another and turn the other cheek versus the knowledge that some battles are just and necessary to prevent abuses of power and authority, and I think this dichotomy, that fighting for what you believe in is simultaneously a curse and a blessing, is wonderfully captured by the uncertainty of 2910 as to whether he is even human.  War can make you lose your humanity, or give it to you when you sacrifice yourself for a belief or for others.  In that regard, the indeterminacy of his humanity is perhaps not thematically insoluble because it is the primary mystery and paradox of war – and that is what the
story is titled “The HORARS of War” – if we take it literally - that a man can lose or gain himself in that conflict.

...

I think you have a good point, which I didn't fully appreciate.

I think there are also hints that the HORARS are better than humans, like Asimov's robots, or Swift's Houyhnhnms or the meek who inherit the earth.

>The quotes that support that he is a HORAR: 
>“The three friends in the trench looked very much alike as they labored in the rain.  Their hairless skulls were slickly naked to it, their torsos hairless too, and supple with smooth muscles that ran like oil under the wet gleam.”

>“He, 2910, knew that the face was his own.  Exactly his own.  He told himself it was a dream, but he was very tired and could not get out.” 

The similarities could be the result of those "minor alterations" and "a little surgical help"

Is this a reference to "'I can't get out,' said the starling."?

And if they hate the stinging gnats, why don't they wear shirts?
>Later when he is hit by mortar there is no spurt of blood, just welling, and he justifies this by believing no artery had been hit.

I don't think that tells us anything.  If it's impossible for humans (I don't know), it could be one of those minor alterations.

>“No human could live as a HORAR does, running miles without tiring and only sleeping a couple of hours a night, so we did the next best thing. .. They took you 2910 and made you a reporter.  They implanted all the memories of an actual man in your mind at the same time they ran the regular instinct tapes.  They gave you a soul, if you like, but you are a HORAR.” 


I think that's the point.  Whether his body is human or artificial, his soul is human.

>When Brenner looks into the leg he says he sees only stainless steel, and then 2910 kills him. 
>To justify the metal in his leg, he makes up the story: “I think I knew of a football player once they did that to [take out a section of the bone and replace it with a metal substitute].  At least, I seem now to remember it … I had forgotten for a moment” 

I don't think we know that he makes up the story, though he might have.

>The ability to come up with a justification for his humanity is probably the biggest clincher, besides the Punch/Pinocchio references, that indicate we have a machine or puppet who wants to be a man. 


Wouldn't a human come up with a justification for his humanity?

>ALLUSIONS:  The meat of them are to Christ below, but the Pinocchio is also telling: it is the story of a made boy who wants to be real, and finally turns real at the end.  This is thematically important for this story.  The wired predecessor of the Pinocchio machine was named Punch, after the famous puppet, also something that seems to be alive but being controlled by something else (though this Punch has its own computer brain). 
>AMBIGUOUS STATEMENTS: “they had tried stalked eyes like a crab’s in the Everglades [where the pre-battle test was done], he remembered, but the stalks had become infected by a fungus…” This means 2910 was there at the very first test run of the HORARS, which could supposedly go either way, but it is something of a mysterious aside.

I don't think it means that.  He could just know it had happened.

The purpose of this aside could be to answer readers who think an artificial soldier should have lots of nonhuman features.

>RELIGIOUS ALLUSIONS:  when the flare goes out, 2910 says, “A star in the east for men not born of women” equating the HORARS somehow with the mystical nature of Christ, referring to the Star of Bethlehem the wise men followed to the child who was both fully human and fully divine. 
>Also, this quote on the incarnation of the demiurge: 
>“(Were they merely duplicating?  Had all this been worked out before with some greater war in mind?  And had He Himself, the Scientist Himself, come to take the form of His creations to show that he too could bear the unendurable?)”  That definitely echoes the incarnation of Christ to be fully human and experience death and the possibility of sin and defeat it.  This HORAR is duplicating man, trying to be both fully HORAR and fully man.

I don't think you're overthinking that at all.

>“The Enemy took humans captive, but there was nothing they would not do to HORAR prisoners.  Occasionally patrols found the bodies spread-eagled, with bamboo stakes driving through their limbs; and he could only be taken for a HORAR.  He thought of a water color of the crucifixion he had seen once.  Would the color of his own blood be crimson lake?)”  Once again, the things the HORARS must undergo echo Christ and his fate.

That either.

>CONCLUSION: In light of the Pinocchio reference and the Christ as fully human but fully divine creed, I think we have to say that those distant human memories were planted in 2910

The Pinocchio reference could be telling us that we should think of the HORARS as fully human.

> … BUT that he believed them, and that made him fully HORAR and fully human, because it is not just flesh alone that makes a man, so that his belief in his humanity made him one indeed,

And his memories.

> though I think those distant memories and justifications and stories to prove he was human were in fact implanted or fabrications just as Brennen said, though his notes have the same effect as if he were an actual human journalist. 
>FUTURE ECHOES:  By this point we know the ambiguity of identity is ingrained in Wolfe, from the Changeling to Fifth Head of Cerberus to Seven American Nights to Short Sun, and this work is perhaps the most indeterminate of his early stories because there are plausible arguments for 2910 being a HORAR who was programmed to think he was a man or for a man trying to be a HORAR, because imitation sometimes begets reality, and time turns our lies into truths.

Indeed.

Another future echo is that the HORARS' designers gave them certain traits for convenience just as Baldanders made Dr. Talos loyal to his friends and uninterested in money--though the HORARS' sense of humor turns out to be unavoidable.

Jerry Friedman